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Paul Scott & Caroline Slotte: One Way or Another

 

Exhibition Catalogue
Softcover (embossed, matte finish)
48 pages
10" x 8"
January 2026

 

With an essay by Glenn Adamson
Photography by Chikako Harada, Caroline Slotte, Øystein Klakegg (p.4),
Joakim Bergström (p.10), John Polak, & Paul Scott
Catalogue Design by LevievanderMeer, Amsterdam
Printing by robstolk®, Amsterdam 

Paul Scott & Caroline Slotte: One Way or Another

 

Exhibition Catalogue
Softcover (embossed, matte finish)
48 pages
10" x 8"
January 2026

 

With an essay by Glenn Adamson
Photography by Chikako Harada, Caroline Slotte, Øystein Klakegg (p.4),
Joakim Bergström (p.10), John Polak, & Paul Scott
Catalogue Design by LevievanderMeer, Amsterdam
Printing by robstolk®, Amsterdam 

Paul Scott & Caroline Slotte: One Way or Another is a catalogue published by Hostler Burrows on the occasion of the artists' exhibition at HB381. 

About the Exhibition

Caroline Slotte (b. 1975, Helsinki, Finland) excavates antique plates and china tableware, subtracting matter to render intricate, sandblasted lines and ghostly tracings. Her delicate yet densely-layered patterns interrupt the material coherence of these common objects, revealing moments of absence, ambiguity, and blankness. These acts of redaction underscore the curious nature of mass-produced decorative objects; by taking away layers of glaze and clay, Slotte draws our attention to their stylized forms and materiality, as in Delftware ceramics with their familiar yet distant landscapes. Each of her scenes, as though sculpted by erosion, becomes a uniquely altered variation on the theme. In doing so, her artworks broaden our attention to address questions of cultural association, material memory, and the inevitable losses and transformations of time.

Paul Scott (b. 1953, United Kingdom) is a UK-based artist, living and working in Cumbria, with a diverse practice and an international reputation. Creating individual pieces that blur the boundaries between fine art, craft, and design, he is well known for his research into printed vitreous surfaces, as well as his characteristic blue-and-white artworks in glazed ceramic. A combination of rigorous research, studio practice, curation, writing, and commissioned work ensures that his practice continues to develop. His work is fundamentally concerned with the reanimation of familiar objects, landscape, pattern, and a sense of place.


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