Frida Fjellman transformed Hostler Burrows’ salon into a decadent reverie titled The Soft Parade that reimagines Rococo through a contemporary lens. Responding to the 18th-century interiors of L’Hôtel de Maisons, the Swedish artist filled the room with blown glass and monumental ceramic works depicting wild boars, serpents, and other symbols of appetite and desire. A pastel palette drawn from the Palace of Versailles and filtered through the pop romanticism of Marie Antoinette casts the scene in lush color, while a towering chandelier of prismatic glass refracts shifting light across ruffled vases.